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Blink (fdm067)

by Chris Anderson

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1.
Used Car 05:34
USED CAR open, the scene is in a used car driven so open, maybe too far there we were, hoping to be seen alive - alive dust bowl, the envy of this mad rush to breathe or not, it's something we must believe before we hit the big crush lies - all lies you've known it you're not the first to see it just how beautiful the lights are, here tonight you've shown it but still we can't believe our eyes rainclouds will never carry me far too bad it's not the ever after where we dissolve into the ether high - high stigma is nothing we can shed off when we are thinking that we're so tough these eyes erupt into a field of lies, all lies you've known it you're not the first to see it just how beautiful the lights are, here tonight you've shown it but still we can't believe our eyes drifting in/out of every season could be but maybe not the reason sad songs, they work as well as books of lies, all lies enough, we've had it, now we're done, yeah renew, rebirth, and redirect, yeah belief, it's something to be shown the light, that light you've known it you're not the first to see it just how beautiful the lights are, here tonight you've shown it but still we can't believe our eyes -2/1/10
2.
Wither 04:12
WITHER watch what you say as you wither away don't come off lost or inflated or cross silence is gold but sometimes it's a curse but who am i now to be wondering how it's a line, it's a line we are feeding on in good time, in good time, we'll be moving on what would you do if it wasn't in front of you would you adlib your lines and pretend that you're fine or would you just choke in the swirl of verbal smoke or cover your face and retreat from the race it's a line, it's a line we are feeding on in good time, in good time, we'll be moving on how would you feel if you gave up the steering wheel? would you think it was wise to look though some other's eyes would you prefer to lie still or be stirred? it's a matter of poise, how rotten the noise it's a line, it's a line we are feeding on in good time, in good time, we'll be moving on watch what you say as you wither away -2/2/10
3.
Squeeze 04:27
SQUEEZE i had a dream such a crazy kind of dream last night where the mountains flickered like a flashlight pools of snakes and shiny things and diamond rings and the choir gathered up to sing sweet hallelujah songs amidst the caterwauls they're longing for the dust and i swear i heard the big dam bust i had a dream such a crazy kind of dream last night i was lost in a field of dirty, angry knights in a flash, i was cutting down and slashing through the air i heard him fall but there wasn't anybody there hallelujah, i turned round and walked away into the open door behind the sea spray i swear i heard the sky give way i toss and i turn with the cross that i burn with the load that i carry every day still here on the ground when there's no one around st. peter's always turning me away "come back in a day when you're old and you're grey maybe, if you've got the guts to stay i had a dream such a crazy kind of dream i walked through the storm and shattered all the crossbeams in the cold, in the garden of the old i danced and i sang until the morning bells rang hallelujah, i shook off that old cliche and wiped my eyes of all the blackened disarray i swear i heard her walk away i toss and i turn with the cross that i burn with the load that i carry every day still here on the ground when there's no one around st. peter's always turning me away "come back in a day when you're old and you're grey maybe, if you've got the guts to stay that's when i sang that old revival song you know the one where oil lamps burn the wind blew cold, the air it stung and still i toss and still i turn i had a dream such a simple kind of dream i was lying in a field and pretending that i was the king and all the ghosts and reminders rode away and they waited for the moment to stage another squeeze play hallelujah, it ain't nothing but a scheme of my subconscious, lost inside the shepherd's dream that's when i heard the exit theme i toss and i turn with the cross that i burn with the load that i carry every day still here on the ground when there's no one around st. peter's always turning me away "come back in a day when you're old and you're grey maybe, if you've got the guts to stay -2/3/10
4.
Breathe 03:42
BLEACH we bleached the sky just to see the reflections as they rose to the color of the dress she wore on the morning when the hammer came down she laughed and said she'd seen it before, the last go around half a mile from the wayward station read a book, pass the hours as the day goes by somewhere behind her velvet face she made them all smile as they fell and they died out we get a little bit closer to the mirror buried deep inside we get a little bit closer to the end of the line, yeah my, oh, my oh how the days go by we wrote a letter in the future tense and thought about the way that it could make sense when there is nothing left standing but the dust and the wind and the last of the footptints on the floor, behind the closet door it's lying there, but no one knows what it's there for even at the end of the day we put our hands in our pockets and we stroll away, still we get a little bit closer to the river running deep inside we get a little bit closer to the end of the line, yeah my, oh, my oh how the days go by we shot the moon just to see their reactions as its cover splintered all over the eastern sky somebody said that it was all an act even though we all were there, none of us could deny it still we get a little bit closer... still we get a little bit closer to the end of the line my, oh, my oh how the days go by -3/8/10
5.
Alamosa 08:48
ALAMOSA kicking up dust on the road fifteen miles from alamosa come quick, the rust in the dirty field where nothing hardly grows there thirty below it's a good day to watch the fire glow thirty below it's a good way to keep you on your toes you can see the storm raging down the road just north of alamosa seventeen, san luis is quiet and as barren as the tundra thirty below it's a good day to watch the fire glow thirty below it's a good way to keep you on your toes alamosa smiles and tilts her crown she likes to watch the blood spill from the mountains to the east alamosa knows she's barely just a diamond in the dust like the rio grande all that flows moves on down south from alamosa where the highway cries that same old song we sang when we dropped the rose there thirty below it's a good day to watch the fire glow thirty below it's a good way to keep you on your toes -2/2/10
6.
SEE FOR YOURSELF when it's cold, i settle in when it's hot, i settle down sometimes i settle for a stolen moment on the floor and as the seasons move it's all that i can do to open up the door you've seen it all before you'll probably deal with it some more it's true when the stormy weather breaks me down i realize that you're still around i realize that you said back then that you're never going anywhere you, there ain't a lot that you won't do and so, my dear, i gotta say i love you you can see for yourself it's true in the song that i sing for you open doors may pull me in beyond my withered, weary mind when the forecast looks just fine it's just another hidden sign the seasons always change though we're not rearranged it's always something new one ends as one begins these changes, they're not here to always be your friend but you... when the stormy weather breaks me down i realize that you're still around i realize that you said back then that you're never going anywhere you, there ain't a lot that you won't do and so, my dear, i gotta say i love you you can see for yourself it's true in the song that i sing for you sometimes i can't breathe sometimes i can't see sometimes i can feel it somewhere in the back of my mind, yeah sometimes i hold it close sometimes i let it go and sometimes i come around sometimes i'm lost and then i'm found when the stormy weather breaks me down i realize that you're still around i realize that you said back then that you're never going anywhere you, there ain't a lot that you won't do and so, my dear, i gotta say i love you you can see for yourself it's true in the song that i sing for you -2/1/10
7.
Blink 04:54
BLINK so tough do you think you've seen enough of all the ways we keep erasing every day we need a song that everyone can sing along just like the one where the boss said we were born to run blink once if you can hear me blink twice if you can see me blink three times if you wanna walk out blink four times if you wanna crawl blink five times if you wanna stay and watch it all just fade away and so we're here and we're waiting for the dust to clear out in the field where they gather up and burn the yield who thought it wise to try and see it all through jaded eyes it's like a curse the way they keep the world in reverse blink once if you can hear me blink twice if you can see me blink three times if you wanna walk out blink four times if you wanna crawl blink five times if you wanna stay and watch it all just fade away alive we sent the needle into overdrive we heard them cry from the iris of the dragon's eye falling out above a whimper and beyond a shout we felt it there when were were drunk and falling down the stairs blink once if you can hear me blink twice if you can see me blink three times if you wanna walk out blink four times if you wanna crawl blink five times if you wanna stay and watch it all just fade away -2/4/10
8.
Speak Up 05:09
SPEAK UP i saw the ticker tape it said something post-impossible will come and infiltrate the scene with dirty secrets, lies, and magazines that try and bill themselves as news but no one cares, so what's the use but still it sells and sells i turn my head instead of giving hell it's just implausible a great magnificentish waste of time i started walking out when the mirror slapped my face and began to shout "speak up or you're gonna lose your mind speak up or you're gonna waste your precious time just thinking to yourself" i heard the news, oh boy it was something most peculiar but devoid of any context, just an abstract sketch of talking teeth and eyes opinions on a screen with nothing tangible to back them up just like a fountain full of gasoline let the pigeons fill their cup it's just implausible a great magnificentish waste of time i started walking out when the mirror caught my eye and made me shout "speak up or you're gonna lose your mind speak up or you're gonna waste your precious time just thinking to yourself" i saw the photos, the analyses, rebuttals, butting heads they say the camera adds a stone to every ego in the room there's nothing like the look of shame upon the face of those who fall or so the TV says when there's nothing left but cracks upon the wall it's just implausible a great magnificentish waste of time i started walking out when the mirror caught my eye and made me shout "speak up or you're gonna lose your mind speak up or you're gonna waste your precious time just thinking to yourself" -2/1/10
9.
Old 78's 04:48
OLD 78's i'm sittin' here, spinnin' old 78s i got a tall glass of water and too much on my plate i wanna get back now to the way taht it was when the whole wide world fit inside of my buzz we got a good thing now there's no room for debate but still i pull out another old 78 i gotta know right now is this the way it'll be when there's nothing left standing but the records and me how high the moon, how high the wall it flutters like a junebug underneath the weight of it all when the sun goes down it's only half past late but the one o'clock jumped to a quarter to eight i feel like a kid with a rip in my pants i got the fox trot fever but you know i don't dance i got the sugar foot strut at the jazz band hall i heard the theme to the west at the carnival i'm sittin' here, spinnin' old 78s i got a tall glass of water and too much on my plate i wanna get back now to the way taht it was when the whole wide world fit inside of my buzz we got a good thing now there's no room for debate but still i pull out another old 78 i gotta know right now is this the way it'll be when there's nothing left standing but the records and me i'm in the mood to hear a sweet melody a sinner kissed an angel and her name was marie she got a little bit of heaven in her tonic and gin you know i'll never say "never again" again i would get sentimental but i don't know the time lover come back, rosalie, it's a crime you oughta be in pictures by the way that you walk solid sam and smokey mary said it's all just talk i'm sittin' here, spinnin' old 78s i got a tall glass of water and too much on my plate i wanna get back now to the way taht it was when the whole wide world fit inside of my buzz we got a good thing now there's no room for debate but still i pull out another old 78 i gotta know right now is this the way it'll be when there's nothing left standing but the records and me my mother was a lady but she never got far it's a lonesome old town, you and my old guitar... -2/3/10
10.
GIVING UP THE GHOST if every circle isn't round it's still a circus in this beat-up, weathered town beyond their sights, we hit the ground and we're running out of reasons to stick around and every time we move out of the light and every time we wait until another night every time we think about our place we're giving up the ghost just to see his face and every time we run instead of crawl and every time we're backed up against the wall every time we drop out of the race we're giving up the ghost just to see his face we feel the yearn, we feel the haste to break this cycle just to step around the waste ten thousand movements of your face tell another story, another bitter taste and every time we lose the woods for trees and every time we run just to feel the breeze every time we're gone without a trace we're giving up the ghost just to see his face and every time we fall out of the sky and every time we take it but don't wonder why every time we lose sight of her grace we're giving up the ghost just to see his face this fever's not the hurtin' kind we take the boards down from the windows but we claim that we're not blind if everyone is feeling fine then why do we keep drawing darker lines and every time we move out of the light and every time we wait until another night every time we think about our place we're giving up the ghost just to see his face and every time we run instead of crawl and every time we're backed up against the wall every time we drop out of the race we're giving up the ghost just to see his face and every time we lose the woods for trees and every time we run just to feel the breeze every time we're gone without a trace we're giving up the ghost just to see his face and every time we fall out of the sky and every time we take it but don't wonder why every time we lose sight of her grace we're giving up the ghost just to see his face and every time we shout instead of talk and every time we crouch instead of walk every time we blindly join the chase we're giving up the ghost just to see his face and every time we break instead of bend and every time we choke in the slightest wind every time we change our mood and pace we're giving up the ghost just to see his face -2/2/10
11.
Movin' On 04:11
MOVIN' ON i've seen that face a million times before every time i see the mirror i just turn and hit the door mary, she's a beauty, but she never wears her wings and sometimes she collides within the circus that she brings and still i sing that same old song those words belonging to another place and time perhaps we'd better move along there's nothing wrong but there's another hill to climb and so i'm movin' on best be gettin' gone i'm movin' on into the light i'm movin' on best be gettin' gone tonight before i waste it all just tryin' to get it right i've played these chords a million times before every time a melody creeps in, just begging me for more sweet mary can be scary when she wears her stolen crown that she pulled off from that beggar everyone has seen around and still i sing that same old song i switch it up but it's the one that lets me be perhaps i'd better move along there's nothing wrong but still there's nothing here for me and so i'm movin' on best be gettin' gone i'm movin' on into the light i'm movin' on best be gettin' gone tonight before i waste it all just tryin' to get it right i've talked this talk a million times before and every time i talk, i see 'em scatter from the floor and mary, so contrary, how she burned that mother down if you're quiet for a second, you can hear it in the sound when i sing that same old song i get confused, i lose the words, and mumble on it just cannonballs along it's time to stop and stumble to the dawn and so i'm movin' on best be gettin' gone i'm movin' on into the light i'm movin' on best be gettin' gone tonight before i waste it all just tryin' to get it right -2/4/10
12.
Yeah Yeah 04:58
YEAH YEAH we were crawling out on sunday morning to watch the sun rise in the snow we set a blaze without a warning and still we didn't know my eyes were wandering that night your eyes were marvelous that day yeah, yeah the blood runs off these fingertips the pattern looks like a sinkin' ship yeah, yeah we were drifting on a choppy sea between the eyes of our hurricanes i cannot say what came over me coz i don't believe my eyes were wandering that night your eyes were marvelous that day yeah, yeah the blood runs off these fingertips the pattern looks like a sinkin' ship yeah, yeah there was no talk, there was no being there was just something never said it stood right there, we didn't see it or was it in my head my eyes were wandering that night your eyes were marvelous that day yeah, yeah the blood runs off these fingertips the pattern looks like a sinkin' ship yeah, yeah -2/1/10

about

Chris Anderson's 36th full-length album and 4th entry in the February RPM Challenge.

It was 2010. I had just moved to a new office, in a new role, and was finally starting to adjust to a 9-5 work life. One of my co-workers, Sandy, was (is) an accomplished singer/songwriter/musician and it was fun bouncing ideas off of her, for the couple years we worked together.

As February rolled around, so did the RPM Challenge. This was my 4th such challenge and I was excited to get to writing and recording, which I dove into on the first days of the month. The previous year spent working in an office and being forced to listen to radio pop definitely crept into many of the songs that came, and the result was a collection of songs, most of which could have been singles. Not all of them, of course. There were a few weird ones that crept out, but they always do. They must.

Then on the fifth day of the month, a blizzard hit us. We were left with a foot and a half of snow and no electricity. So, no recording. Eventually it was all squared away and time was blocked out to start in on this project. And then, two days later, we got hit with ANOTHER blizzard. And another couple feet of snow. No shit. Spent the next day shovelling out my car, which is never fun. Because I work in a bank, and banks don't like to close even for weather, I had to work the next morning. I get out to my car and someone else had shovelled me back in. So I go inside to get my shovel, come back out, slip on the ice, fall, and am left with a seven-inch spiral fracture on my fibula. Trying to find a surgeon that actually made it into work took several days but eventually I found one and surgery was scheduled for a week out. I was given a giant bottle of opioids and an ace bandage and was sent on my way, to wait out the week.

My office would not see me again for two months.

That was it - recording HAD to happen. My leg hadn't even been set, so it was just a bunch of broken bone fragments, jumbled in there, so basically I sat at my desk, perfectly still (or as still as possible), and knocked out as many of those new songs as possible. I was whacked out of my gourd on those pills but I did manage to record this album with no issues and, as far as I can remember, it was actually kinda fun. As I mentioned before, this was an album of pop songs and such, and I quite dug what was coming out.

By the end of the week, all the songs had been tracked and rough-mixed. Surgery went well and then the next few weeks, while mostly in a daze, were spent refining and mixing the album. It was submitted to the RPM Challenge and I went on with my life.

The songs on this album were ones that stuck with me for a long time, and were frequently featured in my live sets, once I returned to the stage. While songs like the epic opener, "Used Car", were on the heavier side, and others like "Wither" and "Alamosa" were slow dirges, the rest of the songs were upbeat and super catchy. "Breathe" and "Yeah Yeah" were both written for Krissy, as was "See For Yourself" which, given the right production, coulda been a pop country hit. "Squeeze" was written about some strange dreams and the title track found me trying to channel Bruce Springsteen (a little bit - I doubt you can hear it). "Speak Up" is fast paced, almost punk, and finds me railing against cable TV news (the greatest evil in the world), while "Movin' On" is a little country ditty about the passage of time and way we're ravaged by it, but delivered in a fun sort of way. "Giving Up The Ghost" is one that often gets overlooked but is one that I dig a lot - this album was almost named after this song (in fact, there were a few occasions where this album almost got retconned and retitled "Giving Up The Ghost"). That song has a lot of lyrics, and I could never remember them on stage, but it's a fun one to sing.

Lastly, we have "Old 78s", which is one of my all time favorite songs. At this time, I was obsessed with collecting old 78rpm records and I would come home after work, sit at my desk with a tall glass of water, and spin those little records, while trying to forget the ills of my workday. That experience was a direct influence on this song, whose verse lyrics are entirely made up of song titles from those records. While it may sound like nonsense, this song has great meaning and is an all time fave. Also, the recording is so completely different from anything else and I love that.

I was never quite happy with the mix on this album - it was too quiet, too reserved, too deflating. So, ten years later, I remixed the entire album and re-released it, with slightly different artwork. You can hear that elsewhere in this collection. Whichever version you choose, this album still represents one of the weirdest periods in my life, and does so in the most normal of ways. Dig it.

-CA, 3/21/24

credits

released February 27, 2010

"produced" by chris anderson
recorded and mixed in the sidebar
february 2010
for the rpm challenge

all songs written by chris anderson
(c) chris anderson / flying dachshund music (bmi)

CA: acoustic & electric guitars, bass, acoustic & electric mandolin, banjo, drum programming, vocals, other shit.

very special thanks to krissy



(p)(c) 2010 chris anderson / flying dachshund music. all rights reserved. you know the rules. don't let yourself fall into that same old trap, lest ye be blunk.

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Chris Anderson Alexandria, Virginia

Chris is a wildly prolific songwriter who has hovered among the outskirts of the music world for over 30 years. On his own label, Flying Dachshund Music, Chris has released 154 CDs, 96 of them being full-length albums. That's just the tip of the iceberg and there are no signs of stopping. Ever.

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