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Low (fdm061)

by Chris Anderson

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1.
Low 05:15
LOW low, low how does it go to the flow, so low on the apropos low, low i get so slow to the flow so low this river is a majesty grandeur in its sweep such a travesty to watch it suck away beneath my feet to move in tiny circles is the first sign of defeat this glacier is a goddess ice to settle so for all they ways they tried to buy us we pretend we didn't know to move in tiny circles is the only way to flow this desert is a beacon and a symbol of the crimes for all that we've been seeking that. we never hoped to find the windows that we peek in house the gods from time to time who are we to say we need them even if we cross the line to move in tiny circles is the greatest warning sign -7/27/07
2.
BLUE SKY HIGH blue skies teasing me every time i go outside blue skies taunting me every time i'm stuck inside blue skies tell no lies jealous, like a lover at the door feeling like a dove before the war it's a cold slap in the face of the faith and the doubt it's like a long nap in the place where we waste our last shout zealous, like a drone who found a new way tempted like the stones of the day it's a long haul to the edge of the edge of the sun it's a close call when the only ones left have to run silent, like a speck of dust in the breeze open, like a door to the deserts and seas it's a fine line between the truth and the lie and the grey it's a long time to wait for the new day blue skies teasing me every time i go outside blue skies taunting me every time i'm stuck inside blue skies tell no lies 7/25/07
3.
WE ARE THE FLOOD to waste even a moment - to chase it all the way coz that's what they want and if that's what they get it's enough to curse or pass it by we are the moon we are the rain we are the boon we are the bane we are the flesh we are the blood we are the flood to look beyond your eyes is to take part in the day and we struggle just to think the way they think and if that's the way then all we do is play along we are the sun we are the stars we are the guns we are the cars we are the earth we are the mud we are the flood like a lion in a den we dream in averages how can you win without scavenging? to think about the what-if to dream the day away but is that what you want? if it is, we'll forget it just enough to rearrange it then we are the sky we are the dirt we are the cry we are the hurt we are the slap we are the thud we are the flood -7/24/07
4.
Cymbal 03:15
CYMBAL this journal is tangled a web's ever weaved isn't it nothing if just to believe all the wisdom, it's dealt like card from a stack when the foundation's felt it's flat on its back the pious rememberance still for a day the cold of december will soon go away and leave us with meadows of flowers and green if you see shadows you're where you should be two isn't always the way that they are sometimes they're crazed sometimes they go far it's like a balloon and it's drifting up it will settle down soon on the rim of your cup her words are so tender her touch is divine we sit and remember erase all the lines that keep us in places and direct our moves but the warmth of her face is enough just to soothe to lift is to carry to bend is to break it ain't all that scary as long as we wake to try is to tremble to spin is to win she's like a cymbal crashing again... -7/27/07
5.
LIKE A TANGERINE she's like a tangerine sweet inside but so damn mean looks like an angel acts like a queen sight unseen - like a tangerine she opens up her eyes and she scans the scene oh, my tangerine she lifts me with her smile like a pick-me-up machine oh, my tangerine she holds the moment down and projects it on her screem oh, my tangerine she fills me in my soul and all the spaces in between she takes it all in stride bouncing like a trampoline oh, my tangerine she sings to me of lust in words both tender and obscene oh, my tangerine she points up to the sky and complains about the sheen oh, my tangerine she fills me in my soul and all the spaces in between she takes me by the hand and shakes off her old routines oh, my tangerine she's as gentle as a baby fights just like a wolverine oh, my tangerine she'll dance with me on monday tuesday, back in the ravine oh, my tangerine she fills me in my soul and all the spaces in between -7/27/07
6.
MAYA CAROLINA maya carolina got the wood, she got the shine maya carolina got the wisdom and the wine maya carolina feelin' good, she's feelin' fine maya caolina says she's mine maya carolina in the sweet tobacco glow got a foot out on the porch and another in the road sometimes she remembers that it's fortune of the flood maya carolina in the frame of all the rain waiting for the way when she can do it all again sometimes she sings of angela and sometimes she's in the drain maya carolina in the kitchen with the grease sings a song of freedom writes a poem for the peace sometimes she gets the itch to live a life of ease maya carolina cruisin' down the avenue the old red hen is burning in a blaze of green and blue sometimes she sits and wonders just what she's gonna do -7/29/07
7.
Clockwise 03:21
CLOCKWISE everybody brace yourself the world is moving clockwise talking tough, in circles, lies the world is moving clockwise the counter is another in the era of the spin think about your mother and the good old washing bin waiting for the day when you can take it all in everybody brace yourself the world is moving clockwise cutting all the fools down to size the world is moving clockwise -7/29/07
8.
OUT ON THE RAILS out on the rails the slick of the street has us up by the nails too tough to be clever too frail to be cute out on the rails like a snail or forbidden fruit the needle hits empty on the dark desert road we could be the next to go if the pressure's enough to keep it at bay then perhaps we can kick up our heels and walk away out on the rails the worst of its kind has us up on our tails too quiet for sleep too stale for retreat out on the rails like a whale on a forgotten beach the ones who crawl out are the ones who stay down we could read into the mess if the time was enough for the luxury sweep then perhaps we could lay and get back to sleep out on the rails the fruits of the trade are splitting the sails too blessed to be evil too wise to be weird out on the rails like a failure for all of these years if not for the company it would be something else on display just to stump me if the wind was enough to blow us away then perhaps we could save the skin of the day -7/25/07
9.
THUNDER AND NAILS bright lights wander in the northeastern sky they flicker and sweep and blow you blue sky high just like the sound of a thousand horn blow just like the sight of a thousand coal glow feel the flow and flutter late night drunks and sleepy serenades pushed in the mud down at the rosebud parade just like the shine of a thousand sun's shine just like the moon or a faint silver line feel the flow and flutter backyard grazers and soapbox brigades speak of the ravens and the messes that they could have made just like the feet of a thousand stampedes just like the hope of the thousands in need feel the flow and flutter can you hear the wind blow? it's like thunder and nails punctured or pressed like diamonds, they tip the scales to the ones who desire to the ones who fail it's like thunder and nails -7/25/07
10.
THE GOOD & THE BAD it's the good, it's the bad it's everything you ever had right there, in the middle of the air it's the wise, it's the fool it's the ones who lose their cool back to back, it never really seems that fair just like an onion different layers as we peel the skin away new faces and opinions different players, different days it's like a torch that's been left out in the rain scan the porch but don't let them know your name it's the good, it's the bad it's everything you ever had the piper, he keeps falling down the stairs it's the wise, it's the fool it's the ones who lose their cool back to back, it never really seems that fair it's like a song that everybody used to sing so long ago we all may know the words but where it came from, no one knows it's like a breast of a mother, to her child he's clutching at her chest just like it's going out of style it's the good, it's the bad it's everything you ever had you can break the chains, but only if you dare it's the wise, it's the fool it's the ones who lose their cool back to back, it never really seems that fair it's like a field in heart of urban sprawl their skin is peeled but they're still learning how to crawl it's like a half-wit at the head of the parade he may not know shit but he knows just how it's made it's the good, it's the bad it's everything you ever had it's the ones who stare, and the ones who never cared it's the wise, it's the fool it's the ones who lose their cool back to back, it never really seems that fair -7/25/07
11.
About Time 02:50
ABOUT TIME carnivals and devils marching through the roundabouts seeking shelter, seeking fame from over here to thereabouts the twilight makes a shaker breaks the heels of mother light and displays it's bounty high upon the mountains of the night opulent and ocular his eyelids never close always keeps a watch and always staying on his toes the bastards of the alleys spill their guts in mock defeat and they twist their necks to knock the servants over, off their feet cobblestones and cornerstones the markets and the stalls they heard the thunder coming but they knew they'd never fall it's like that old religion where they pleased, one at a time sometimes i wish we had that rather than these stairs we climb it's about time.... -7/28/07
12.
The Dim 03:24
THE DIM i went out walking through the dim air of the night she was like an apparition dressed in chains of red and white i thought of my mother and my sisters and my wife i thought of the words and the songs of my life in the dim - in the dim, dim night i kept on walking through the ghettoes and streets my thoughts were a-flutter visions of shallows and sheets i thought of the folks at the end of their ropes and blew out the smoke and all shred of hope in the dim - in the dim, dim night i sat there thinking of everyone i've ever known their faces are different the children have grown i sang to the memories and danced in the light on the edge of awake in the dim of the night in the dim - in the dim, dim night -7/25/07
13.
Starve 02:18
STARVE the dinner bell rings it reminds me of the springtime of my life and the songs we sang it was something else remember the diamond the way that it cuts to believe is to bend and shake up the lie of the land & the wind to go starving again... -7/27/07
14.
SIMPLE AS IT SEEMS to bask in wine and roses to go dancing with the queen to believe although you know it's not as simple as it seems to waste a moment waiting for the ones who pull the screen like a simple twist of faith these bitter nails are never clean to walk with gods and demons to know just what it means when they say it's part of living just to hear the ego scream to dream of something other than the same old rotten scene it's enough to make it pass but not as simple as it seems to sing like fortune tellers on the edge of some serene camouflage and shooting stars it's just the way they get between all the exits and the outlaws of the yellow and the green it's such an easy target but not as simple as it seems to feel the crush of feathers in the pillows of the street some tell you not to worry they've got everything you need it's like a fabled story or some vivid, lucid dream it's enough to get you out but not as simple as it seems -7/27/07
15.
RED LIGHT RIVER open water, sterile void irreversible light mavens take the basket from the hands of the children and bless their own nose as if it was nothing at all there's nothing but mud in the river as red as the blood of the forgiver no one can live in the eyes of the ice in the sieve -7/23/07
16.
BLISTERED BLUES i wrote a letter just to see what i would say situation meltdown if only it would go away sometimes i feel so desparate i can barely fake a grin sometimes it's just a measure just a way to save my skin i held it all inside and kept on down the beaten road imitation breakdown only waiting to explode sometimes i get i get so worked up on the ineffectual things and sometimes, it's some jerk-off and the bullshit that they bring too tender to be touched too simple to be bought too fucked up to be much more than just distraught it's all too much, it's all too much more than a lot i put it in a song with bitter words and evil chords sensational outburst it's a goal we work towards sometimes i miss the point just to get to what i'd say and sometimes the disappointment just drives me away too wasted to be worth it too shunned to be of use too stunned to wanna dance around in other's dirty shoes it's all too much, it's all too much these blistered blues i wrote a letter just to see what i would say... -7/27/07
17.
HAND OVER HAND a point of reference a party line to get a grip is to know the time to feel the slip is to hear the chimes they're ringing in the square every hour, on the nines to the teeth to what they speak to the ones beneath every floor that creaks what of the other ones spitting their dust to the ones who desire the ones who they trust hand over hand is just one of the ways that we bust a mode of departure a part of the plan to start is to measure the wings of the span to wish is to want and to want is to need if the need is too much then we'll just never be head over head is just one of the ways that we see a waste of a word to be chasing the bird along all the breaks of all that we have heard to dream is to drift and to die is to buy the wise are the ones who can see through the mud just to try wing over wing is just one of the ways that we fly -7/29/07
18.

about

Chris Anderson's 32nd full-length album.

In February 2007, I undertook my very first RPM Challenge. Started the year prior, the idea is to create an album from scratch, from inception to release, in one month. I immediately dove right in and knocked out about thirty songs that month, about half of which appeared on the album, The Importance Of Being.

At the end of July, I decided to up the ante and see if I could write & demo an entire album in a day. Sitting at the record desk at Olsson's Books & Records, on a particularly dull day, I set out to writing that record. Ten sets of lyrics were written, some really good and some completely ridiculous. That evening, I sat down and came up with music for all ten songs, recording them on my trusty, trashy handheld voice recorder. I immediately gave the session a name (Cart Before The Horse), a cover, and released it on the BG Label.

The next day, I decided to do it again, and then it became a "thing". The idea was to repreat that process every day, for a week. This became known as the "Album-A-Day" project and, by the time it wrapped up, I had eight lo-fi demo albums and about seventy new songs (the one day I didn't work, I made two instrumental albums instead, hence eight). To date, this may still be one of my most outlandish writing projects.

Cut to fall 2008. I had upgraded my recording gear, and also lost my job. Lots of backlog and downtime meant that a lot of recording was happening, starting with The Sound Of One Hand Clapping, Glass Parade, and Supernova. The next project at hand was to dive into those "Album-A-Day" songs and a whole bunch of them came to life. Too many, actually, but that's the way it goes.

Some of the songs are ones that I really dig, especially "We Are The Flood", the wicked "Clockwise", the swirling "Out On The Rails", and the epic "The Good And The Bad" (which used to feature in my live sets often). Some of the songs, such as "Thunder And Nails", "Maya Carolina", and "Red Light River", are ones that probably could have been b-sides. The so-called "apropos" mix of "Low" features as a bonus track but is, to me at least, the superior version.

Taking a cue from the previous album's "It Never Has To Be That Way", this album features keyboards all over it. It is one of the only FDM releases to do so, and it was a lot of fun (even though I am not a very good keyboardist).

As with a few of the other releases from this time, while this album was completed in November 2008, it was not officially released until I returned to the stage in July 2012. This was due to distribution issues (no gigs, no good online server, etc).

In 2018, a second album from this same well of material, titled Tornado Sees Me Coming, was released (as fdm100) and a third album, titled Plan B, is currently in the works for a 2024 release.

Over the years I have sought to trim down this track list, to make it not only more concise but also flow better (the album does not flow very well) but, in the end, I decided to just keep it as it is. Feel free to make your own version of this album, or just dig it in all its overstuffed glory.

-CA, 3/6/24

credits

released July 21, 2012

"produced" by chris anderson
recorded and mixed in the sidebar
november 2008

all songs written by chris anderson
(c) chris anderson / flying dachshund music (bmi)

CA: acoustic and electric guitars, bass, mandolin, keyboards, percussion, drum programming, vocals, other shit.

special thanks to all the usual folks...the friends, the family, the co-workers, and everyone else who may have helped in inspiring the music on this disc.

extra thanks, as usual, go to my beloved krissy, for putting up with my nonsense for so many years, for taking the photos that serve as the basis for all these album covers, and for everything else too.

notes:
the songs on this disc were originally born out of a project known as the "album a day" project, dating from the last week of july 2007. as the title suggests, i made a point of writing and demoing an entire album's worth of material every day for a week straight. each "album" got a title and a cover and its own place in the BG catalogue.

during that span of time, over 70 songs were written. nothing was off limits and every idea that came to me was somehow fashioned into a song. as a result, not all of these songs were winners. there were certainly some duds but there were also several that were actually quite good but went no further than the original sessions. hopefully some of those songs will get their due before too long. these songs here, however, are pretty much the cream of the crop.

the recordings on this disc came from november 2008. during that period, i was temporarily out of work. between bouts of lethargy and frantic job searches, there was much recording. this is a period that gave birth to several different albums including The Sound Of One Hand Clapping, My Time Hasn't Come, Glass Parade, Supernova, and the Primitive Road EP. And, of course, this one.

each album had its own little defining thing. for this one, every song featured keyboards in the arrangement. while in the past, keys have popped up, sparingly, on songs, here and there, they have never been featured so prominently, before or since. not quite a revolutionary concept for most, it's still a rarity in the FDM universe.

while i don't consider this to be the best of the FDM catalogue, this was an absolute blast to record and is an album that i am quite proud of. i am thrilled to finally get this one finished and into your ears!

enjoy!
CA, 3/25/10

(note the time between recording the disc, writing the notes, and releasing the album. oops. shit happens).


(p) 2008 (c) 2010/2012 chris anderson / flying dachshund music. all rights reserved. duplicate this as you will but ripping off my songs...well, that shit is low.

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Chris Anderson Alexandria, Virginia

Chris is a wildly prolific songwriter who has hovered among the outskirts of the music world for over 30 years. On his own label, Flying Dachshund Music, Chris has released 154 CDs, 96 of them being full-length albums. That's just the tip of the iceberg and there are no signs of stopping. Ever.

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