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Nevermind The Shadows (fdm092)

by Chris Anderson

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1.
THE PRETTY OF FOUR i see you standing staring all pretty-eyed it doesn't change the way i tie my shoes or think of you and the way we were and it's a long way down to the pretty of four -September 1994
2.
Beaverhead 05:23
BEAVERHEAD she came down to the riverside holding in her hands, the great divide she'd never know just what she made in her hands you'd never know just who she is at her door here she comes and she's taking it slower take your shoes off, i don't mind she keeps in her home, the third degree handed in time way back to me she'd never know how much she gave in your hands she'd never know just who i saved at her door here she comes and she's taking it slower take your shoes off, i don't mind she came too late, i forgot what i wore gathered in numbers outside my door you'd never know just what she'd say in her hands she'd never know just who it is at her door here she comes and she's taking it slower take your shows off, i don't mind -November 1994
3.
HOLD MY BREATH blue and silver gold and candles prepared for war light another pass me by i can't stay anymore you say i'm full you say i'm shallow whose turn is it now? you say i'm quick to judge you but i don't see you anyhow it's alright, it's alright i saved a penny for a rainy day it's alright, it's alright i gave you nothing but a sad mistake it's alright, it's alright i burned my bridges and i ran like hell it's alright, it's alright i'll hold my breath until the sun burns out who are you to say i need you just to stay alive? and who am i to stay with nothing? laugh just to survive i came from nothing, building nothing left to run and hide i've often seen you spit but now you're swallowing your pride it's alright, it's alright i stole your pennies from your rainy day it's alright, it's alright you left me nothing but a sad mistake it's alright, it's alright you burned my bridges and i ran like hell it's alright, it's alright i'll hold my breath until the sun burns out there are no words that i could say there's nothing to explain call it strangers leaving strangers fucked up, torn, insane a heaven sent through hell i swear i never lived through you but you'd never walk away with nothing left to misconstrue it's alright, it's alright... -October 1994
4.
SALE OF THE CENTURY sara lies on top but she forgot what it was all about so long, it seemed so simple then stepping out with a kind bud to take you home she seemed so shallow and now she wonders why i'm up for sale don't try to touch me don't try to hurt me now don't try to tempt me i'm the sale of the century sara left no choice her fragile voice was so much darker than mine so low, we seemed so foolish then i never really cared for your last appeal though it seemed so harmless still i never wonder why i went up for sale don't try to touch me don't try to take me down don't try to tempt me i'm the sale of the century sara lost her head still everything she said was wrong so long, she seemed so helpless every time i came in to assume control it's all so pointless she knows exactly why i went up for sale don't try to touch me don't try to heal me now don't try to tempt me i'm the sale of the century -November 1994
5.
Parallel 03:03
PARALLEL upside down and all around you drove my will into the ground nothing to do, no fools to blame but i didn't even catch her name we run and we run and we run and we run parallel inside the house across the street my mistress dances with her sheets seventeen in round times two and she is left without a clue we run and we run and we run and we run parallel -November 1994
6.
Stacy's Dad 02:25
STACY'S DAD stacy's dad lights the fireplace but his life was not in vain to save his soul you'd conjure fifty thousand points of light boiling in the kettle under razor wire stacy's dad lights the fireplace telling stories bought a long long time ago when famine spread throughout his neighborhood rehearse the scene when she crawled back out that door stacy's dad lights the fireplace stacy's dad lights the fireplace innocent young girls cry out at the mess he made burning candles, trenches overhead too well too see too far into the backwash of his mind stacy's dad lights the fireplace -November 1994
7.
SIMONE (part three) she left a riddle strange alone beseiged a lullaby for all scenes of lame and castaway into the days could never look for real what's real behind those images you hide? you know, you're never quiet alone simone - see me away alone simone - i cannot see simone - see me out on sunday's tune she sold her soul for bread and wine attacked her conscience for a ride scenes of blind faith, so real to drift on silver sheets and feel the slide in images you hide insane, it's never quite the same simone - feel you way alone simone - i cannot hear simone - hear me out on sunday's tune sunday's tune someday soon i may write she begged an angel for her rites and cried to sleep with open eyes scenes of pretense and now foundation's weak, it starts to fall in fall, you'll only fall alone your image shatters on the floor simone - sing to me back home simone - i don't wanna know simone - lead me out on sunday's tune leave me shadows on your tomb and i remember the first day now leave me shadows on your tomb and i remember the last day well leave me shadows on your tomb and lead me out on sunday's tune -March 1995
8.
Hypnotica 03:50
HYONOTICA well, you left this town so long ago i always tried to catch you but you got no soul you called me here from god knows where screaming "right now, yes, right now" but who kept you counting as i followed you out just begging to the city in a different amount two times over that and another to pass yes yes, until you shattered like a broken glass and said "y'all get out now" three, count em, four, into the five and dime throw down a six and seven and a bottle of wine two times over that and she left in some direction well, i'm from the city and you're from the beach and i always tried to catch you but's you're out of reach so i carry myself, and you carry myself and i carry to the funk and of the beat that goes like... well, you always looked sexy in your 209 420 in your undies, i was always on time to lay down my needle and catch your groove for the playback, the honey stays so fresh and smooth yeah, i'm from the village and you're from the sea and i never tried to wonder what went over me two times over that and another to pass and a taste as sweet as sassafrass you said, "y'all get out now" my baby's just as begging as bob singletary and she flashed a quick grin and giggled "on the contrary" with her legs just as smooth as don perignon she left me there groovin' all week long well, i pulled out my hat and i drew her an eight she said "it don't beat a nine and i'm getting late" two times over that, i dropped my hat and said "girl, you got no funk" and check the tick-tock, look out now... well, i know you're just a player with a funky disease but i never met a woman who's a bigger tease a 36, a 24, a hell of a ride, but she gave me the slide and i looked her in the eye and said "you don't see me playin' like a busted kid and i won't cry to mama after what you did" two times over that with a rat and a tat and a sign on the door that says "get the funk out" "y'all get out now" so cry, baby, cry, coz i caught you in your own lie you shot the scene and you don't stop ticking to the top and the turn and you keep on burning yourself and i laugh coz it's over well, i'll run to the city, i'll run to the beach and i'll never stop running til you're out of reach two times over that and another to pass you can keep with the funk and the beat that goes like... -January 1995
9.
How We Dream 04:05
HOW WE DREAM she came like the weather and i left my soul upstairs to drown in waves of her arrival she led me through eden but spoke not a word of grace god fear if i should ever find her and this is how we dream in the summertime she gave to my instincts and took up her coat and ran and made her way back to the junction i called for my curtain i called out to make a bow god fear if i should ever find her and this is how we dream in the summertime i stopped by the station no words came from my mouth no vision scarred throughout this lifetime she twisted my truth in lies and tossed out my better judgement god fear if i should ever find her and this is how we dream in the summertime -January 1995
10.
LONG STEM ROSE she called herself dexter but i knew her name was marie she called me for breakfast she called me to see her disease i knew she was fronting a pound or a dozen long stem rose in a scene i met her on wednesday when he said she was so obscene long stem rose in the garden she's so visible long stem rose at the banquet holday, eden long stem rose in the churchyard she's so viable long stem rose on a garden wall she sang out to august but i thought she sang to the trees when she flew to the sun she said she sailed the seven seas well, i saw her fronting two pennies for nothing and beckon with ease breaking her stride she said i never lied to her enemies long stem rose in the garden she's so available long stem rose at the banquet holy to avalon long stem rose in the churchyard she's so vain, she's so vain long stem rose on the wall cry two tears for the rose under me cry two tears for the garden wall surrounding me "hello! hello!" hello, i call from my hole in the wall just to say goodbye long stem rose in the garden weeping tangerine long stem rose at the banquet silent in eden long stem rose in the churchyard indivisible long stem rose she said goodbye, she said goodbye after i said hello she said goodbye, she said goodbye after i said hello what i never broke, i'd bend to the silent watch, my friend cry out she said there's flowers in the pantry cry out she said there's no more til tomorrow cry out she keeps her roses under the cellar door long stem rose tangled up in the wall what i never broke i'd bend to the silent watch, my friend indivisible and hollow indivisible, at least until tomorrow indivisible in its restless call invisible to a garden wall she called herself dexter but i knew her name was marie -January 1995
11.
Maria 05:13
MARIA who gave at the altar? who made the sacrificial vow? who came to the inquest? and what did he wear when he came around? the night leave no prisoners to hide behind a face the night leave no remission just a pressure-hold on grace and it's all over now but i would not be fair to stay maria courtesy is contageous but so is your plague it don't really matter what kind of mess we made the night leave no companion no suspicion on my floor the night leave no sacrifice hung behind my door and it's all over now but i would not be fair to stay maria this diamond dream or a lullaby behind these blood red eyes confusion leaves behind no silence, wit, or lies the night leaves no romances no burning in its cage the night leaves no salvation just a silent hold on rage and it's all over now but i would not be fair to stay maria -November 1994
12.
BLOOD RED AND INDIGO i didn't know, i didn't care i wrote a letter but i left it there i wasn't sure what was your name yeah, i forgot that it had changed just like that light up on display between the shutters and the shadows in the way and like a fool i stood aside and sighed i drank the wine from the servant's cup it tasted bitter blood red and indigo bring us your weak bring us your poor and lay between the way til you forget what it's for this carnival of wax and wings this fragile wind can take most anything beyond the sum of what it is and what it was before we got to it, yeah i turned away from the menace eye it stares you bitter blood red and indigo bring us your fools bring forth your prize the price is nothing if you size it up right just like the fog sings to the rain this hammer never falls in vain but lies in wait, and lies await the everyman's accomplice once again i spun the stone and stoned the wall it knocks you bitter blood red and indigo bring up the silence bring down the war there's nothing else beyond the door except the truth accept the blame we're all companions in this stupid game so beautiful we're laughing while the world rolls by in blood red and indigo... -September 1994 & August 2017
13.
FORTUNE HUNTER weary fortune hunter rests time to call a draw forgetting what he saw out beyond the bridge where all those stories seem to end somewhere close around the bend his face was fair, his shoes had soul and soles to run along when his feet did not belong he swapped the sun and left it where no one would dare to find yeah, he does it all the time fortune hunter he tore the air asunder he keeps on down the line we did the deal stony fortune hunter fords another weathered road and then he watches it implode aching like a setting sun he turned and faced the wind and tried to do it all again and again, the wind explained to him in gestures, some were lies he pulled a stone from his disguise excused himself and carried on in ball-pin hammer tales that spilled and tipped the scales fortune hunter on the other side of wonder he's got a pocket full of gold we did the deal panic fortune hunter sees the fury in his eyes is nothing more than compromise like waiting for the wolves to beg and bring him to his knees or kick it up a few degrees he leaves his shadow crying in the corner of the void and then he sat there, paranoid this fortune never feels the way it ought to, and it shows so he clicks his heels and goes fortune hunter he plays it out like thunder he woke the demon on his sleeve and he did the deal fortune hunter we did the deal -8/16/17 (based on an idea from march 1995)

about

Chris Anderson's 58th full-length album. The songs from this album were originally written between Fall 1994 and Spring 1995 and most of them first appeared on the album, 4:20pm (fdm009). Most of this was recorded in The Room over a week or so in August 2017. This is the eighth of at least fifteen new album releases for 2017.

credits

released August 28, 2017

"produced" by Chris Anderson
Recorded and mixed in The Room, August 2017

Tracks 2 & 7 recorded in the Sidebar, 2011
Mixed in the Room, August 2017

Track 3 recorded & mixed in the Sidebar, 2013


CA: acoustic & electric guitars, bass, acoustic & electric mandolin, banjo, drum programming, percussion, vocals, other shit.


All songs written by Chris Anderson, 1994-1995
(c) CA / Flying Dachshund Music

except "Parallel", written by Chris Anderson & Michael Parks
(c) Flying Dachshund Music /Carefully Written Music

Cover art by CA.



The songs on this album were originally written in 1994 and 1995. Most of them were recorded and released on the album, 4:20pm (fdm009). Some of these songs are ones that were recorded back then but left off that album, and some were recorded for the first time in these 2017 sessions. The original album and its sessions was one of those pivotal moments in my life, one of those legendary eras, for those who were around at the time, and the album itself is one of my prouder achievements, at least for that period. Surprisingly, I remember most of what happened then. Or, at least, I remember some of it. This new recording updates the sound and the performance of those songs and it is my great hope that this also captures at least some of the spirit of those sessions that took place so long ago. I had an absolute blast recording this set and I really hope you enjoy it!

-CA, 8/24/17



(p)(c) 2017 Chris Anderson / Flying Dachshund Music. All rights reserved. Thieves and ruffians shall be cast into the shadows.

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Chris Anderson Alexandria, Virginia

Chris is a wildly prolific songwriter who has hovered among the outskirts of the music world for over 30 years. On his own label, Flying Dachshund Music, Chris has released 154 CDs, 96 of them being full-length albums. That's just the tip of the iceberg and there are no signs of stopping. Ever.

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